![]() ![]() It represents that White does not want to leave his life either, and that the storm will drive away his life, just like it drives away the life at camp. Same thing happens again, where the peaceful atmosphere does not want to leave. The whole thing was so familiar, the first feeling of oppression and heat and a general air around camp of not wanting to go very far away. The contrast of between the “big scene” has not changed overtime but the person who is viewing the “big scene” changed implies the inevitable life cycle that a person is born to die. This was the big scene, still the big scene. Revival implies that there is a life and death situation. This second thunderstorm is exactly the same as when he was a child, reinforcing that everything is going through a repetition of cycle. The second-act climax of the drama of the electrical disturbance over a lake in America had not changed in any important respect. The thunderstorm reminded him of the emotions he felt as a child (exaggerated). It was like the revival of an old melodrama that I had seen long ago with childish awe. It represents the next phase of the cycle, as it is a scene change. The thunderstorm is a metaphor of how something like a storm, a random part of a normal cycle, will eventually come to pass. One afternoon while we were there at that lake a thunderstorm came up.Ī new change in setting where a thunderstorm arrives at the lake. White finds both experiences as a child and a father to be similar so he is confused as to which one is his role. Once More to the Lake Analysis Posted: Novem| Author: Kenro | Filed under: English Language and Literature HL | Leave a commentĮverywhere we went I had trouble making out which was I, the one walking at my side, the one walking in my pants.
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